На главную
Результаты поиска “Что такое открытие двух бордов в покере”
Павел «Verneer» Назаревич. Построение банкролла 2014 (Фрагмент 1)
 
08:23
Вы можете купить этот курс на сайте издательства: http://www.any-two.ru Подписывайтесь на офиц. канал Any-two: https://goo.gl/NrSxTp Описание курса В этом курсе мы не будем рассматривать какие-то конкретные концепции, мы пойдем от обратного – в частности, мы будем говорить о группах рук (или их категориях) и придумывать линии, позволяющие максимально эффективно разыгрывать их. Группы рук, которые нас будут интересовать в данном курсе, относительно сильны, и почти все они присутствуют в диапазонах UTG и MP: • мелкие пары 22-77, • средние пары 88-JJ (пары, с которыми у большинства людей возникает масса трудностей), • крупные пары QQ-AA, • сильный бродвей (AQ-AK) • весь остальной бродвей, • одномастные коннекторы, • одномастные тузы. По окончании этого курса вы получите исчерпывающую информацию о том, КАК и главное ПОЧЕМУ вам следует делать так, а не иначе. Вы научитесь находить выгодные ситуации для овербет-пушей на вэлью (ситуации, где оппонент скорее выбросит на ставку обычного размера, но заколлирует овербет-пуш), научитесь быстро анализировать борды, на которых стоит (или не стоит) ставить два (а то и три) барреля с дро рукой, выбирать такой сайзинг, который позволит собрать максимум денег в казалось бы безнадежных ситуациях, и многое другое. Видео 1 (продолжительность 24 минуты). В первом видео этого курса автор рассматривает игру на UTG и объясняет, как зарабатывать деньги, играя 6-max на микро и низких лимитах в сегодняшних играх. Подробно рассказывает концепцию АВС-покера, «что» открывать и «почему» мы должны открывать эти руки. В теоретической части видео Verneer фокусируется на важнейших аспектах, которые необходимо знать при входе в игру из позиции UTG, разъясняет правила построения диапазона открытия. Кроме того, подробно разбирает чарт открытия из UTG и какие необходимо делать подстройки в зависимости от типов оппонентов за вашим столом. Большое количество раздач демонстрируют логику принятия решений как на префлопе так и на постфлопе. В этом видео рассмотрены раздачи с высокими карманными парами QQ-AA. Видео 2 (продолжительность 31 минута). Во втором видео этого курса автор продолжает рассматривать игру на UTG с высокими карманными парами. Затем Verneer разбирает раздачи с мелкими (22-77) и средними (88-JJ) карманными парами. Подробный анализ большого числа раздач в этом видео позволяет глубже понять важнейшие концепции игры, и избегать ошибок в будущем. Играете ли вы в банке один на один или в мультипоте, вы будете знать какое из решений окажет наилучшее влияние на ваш винрейт. Видео 3 (продолжительность 30 минут). В этом видео мы разбираем игру с одномастным бродвеем и игру с одномастными коннекторами. Подробно говорится о том, как необходимо корректировать диапазон открытия в зависимости от типов оппонентов за столом. Особое внимание уделено концепции двойного баррелинга и бетсайзингу. Видео 4 (продолжительность 22 минуты). Этот эпизод рассказывает об игре с одномастными тузами A2s-A9s в рейзженных банках. Verneer подробно анализирует раздачи, сыгранные в банках один на один и мультипотах. Особое внимание уделено алгоритму чтения диапазона оппонента и выбору оптимальной линии розыгрыша в позиции и без. Видео 5 (продолжительность 28 минут). Что делать есть вы столкнулись с 3-бетом?! В этом эпизоде автор объясняет, какой диапазон мы должны защищать и как в целом реагировать на 3-беты от разных типов игроков, заряжающих 3-беты из разных позиций. Также будет рассмотрена концепция колла 3-бета. Когда и против кого стоит ставить ловушки на префлопе, имея сильную руку. Отдельное внимание уделено потенциальным шансам при игре в позиции и потенциальным шансам в игре против хорошо защищенного диапазона. Большое количество раздач в этом видео демонстрируют игру как в хэдс-ап ситуациях, так и в мультипотах. Видео 6 (продолжительность 23 минуты). В этом видео мы поговорим о 4-бетах. Мы подробно разберем, как играть против 3-бета после того как вы открылись из UTG, а также когда и против каких типов оппонентов нужно ставить 4-бет, а когда просто сдаваться. Verneer уделяет особое внимание анализу графиков в HM2, поиску ошибок и определению оптимальной линии розыгрыша. Видео 7 (продолжительность 27 минут). В заключительном видео этого курса Verneer рассказывает о том, с каким диапазоном рейзить из средней позиции. Разбирается чарт открытия и подстройки, которые нужно сделать в зависимости от типов игроков за столом. Также мы поговорим о вещах, на которых нам следует фокусироваться для извлечения максимального вэлью. Отдельное внимание уделено анализу графиков при игре с мелкими и средними карманными парами. И, конечно, нас с вами ожидает огромное количество примеров раздач. Skype: devilpoker1 Email: info@any-two.ru
Просмотров: 1995 Издательство Any-Two
$530 Bounty Builder Review with bencb & Internett93o
 
57:54
*** Updated *** Calc for the 44 hand starting at 38:07 https://crushwithus-70cb5.firebaseapp.com/viewPost/-L6-ZMXmljCbINAxsrb- It's time to bring out the VAMOS! Bencb and Brazilian crusher Internett93o get to work and review this $530 Bounty Builder run! Learn from the best in the business on how to adjust your game to this fast growing No Limit Hold 'Em format! This is poker at it's best! Like this video? Subscribe now so you never miss out on the best FREE value in poker! FACEBOOK: www.facebook.com/raiseyouredge WEBSITE: www.raiseyouredge.com/ YOUTUBE: YouTube.com/raiseyouredge INSTAGRAM : www.instagram.com/raiseyouredge DISCORD: https://discordapp.com/invite/C7NzrdP Join our discord community and get valuable insights directly from Bencb and RYE coaches. CHECK OUT HOW Bencb AND MANY OTHERS ARE CRUSHING IT! $215 TRIPLE THREAT: https://www.youtube.com/edit?o=U&video_id=A387XuF8icU Bencb789 TAKES DOWN $22.000 IN THE BIGGER $215: https://www.youtube.com/watch?v=FopHO1XZ7ZA MID-GAME MINDSET: https://www.youtube.com/watch?v=g1Jp2NKhm6g LOW-STAKES CASHGAME WITH Bencb789: https://www.youtube.com/watch?v=_T0HlaZ7FBU As many of you have noticed, we recently removed a number of our YouTube videos. A question of privacy was brought up to us regarding the sharing of statistics of other players. To be respectful of the concerns raised we have made the difficult decision to leave these videos off of YouTube. We will continue to provide new content that will still be the best free content on YouTube for poker learning. Thanks for your patience and understanding. Raise Your Edge is the premium online tournament poker training system for MTT’s. Our Tournament Masterclass is used by many crushers of online poker including Steffen Sontheimer (Go0se), Jeff Gross, Lex Veldhuis, Jaime Staples, Keven Martin and many more! Developed by the biggest winner in online poker for the last 3 years, bencb789, RYE is built to help win at the biggest stages; including WSOP, EPT, PCA, WPT and of course throughout all major online poker sites like Pokerstars, partypoker , 888 poker and more!
Просмотров: 17147 Raise Your Edge
Павел «Verneer» Назаревич. Построение банкролла 2014 (Фрагмент 2)
 
05:04
Вы можете купить этот курс на сайте издательства: http://www.any-two.ru Подписывайтесь на офиц. канал Any-two: https://goo.gl/NrSxTp Описание курса В этом курсе мы не будем рассматривать какие-то конкретные концепции, мы пойдем от обратного – в частности, мы будем говорить о группах рук (или их категориях) и придумывать линии, позволяющие максимально эффективно разыгрывать их. Группы рук, которые нас будут интересовать в данном курсе, относительно сильны, и почти все они присутствуют в диапазонах UTG и MP: • мелкие пары 22-77, • средние пары 88-JJ (пары, с которыми у большинства людей возникает масса трудностей), • крупные пары QQ-AA, • сильный бродвей (AQ-AK) • весь остальной бродвей, • одномастные коннекторы, • одномастные тузы. По окончании этого курса вы получите исчерпывающую информацию о том, КАК и главное ПОЧЕМУ вам следует делать так, а не иначе. Вы научитесь находить выгодные ситуации для овербет-пушей на вэлью (ситуации, где оппонент скорее выбросит на ставку обычного размера, но заколлирует овербет-пуш), научитесь быстро анализировать борды, на которых стоит (или не стоит) ставить два (а то и три) барреля с дро рукой, выбирать такой сайзинг, который позволит собрать максимум денег в казалось бы безнадежных ситуациях, и многое другое. Видео 1 (продолжительность 24 минуты). В первом видео этого курса автор рассматривает игру на UTG и объясняет, как зарабатывать деньги, играя 6-max на микро и низких лимитах в сегодняшних играх. Подробно рассказывает концепцию АВС-покера, «что» открывать и «почему» мы должны открывать эти руки. В теоретической части видео Verneer фокусируется на важнейших аспектах, которые необходимо знать при входе в игру из позиции UTG, разъясняет правила построения диапазона открытия. Кроме того, подробно разбирает чарт открытия из UTG и какие необходимо делать подстройки в зависимости от типов оппонентов за вашим столом. Большое количество раздач демонстрируют логику принятия решений как на префлопе так и на постфлопе. В этом видео рассмотрены раздачи с высокими карманными парами QQ-AA. Видео 2 (продолжительность 31 минута). Во втором видео этого курса автор продолжает рассматривать игру на UTG с высокими карманными парами. Затем Verneer разбирает раздачи с мелкими (22-77) и средними (88-JJ) карманными парами. Подробный анализ большого числа раздач в этом видео позволяет глубже понять важнейшие концепции игры, и избегать ошибок в будущем. Играете ли вы в банке один на один или в мультипоте, вы будете знать какое из решений окажет наилучшее влияние на ваш винрейт. Видео 3 (продолжительность 30 минут). В этом видео мы разбираем игру с одномастным бродвеем и игру с одномастными коннекторами. Подробно говорится о том, как необходимо корректировать диапазон открытия в зависимости от типов оппонентов за столом. Особое внимание уделено концепции двойного баррелинга и бетсайзингу. Видео 4 (продолжительность 22 минуты). Этот эпизод рассказывает об игре с одномастными тузами A2s-A9s в рейзженных банках. Verneer подробно анализирует раздачи, сыгранные в банках один на один и мультипотах. Особое внимание уделено алгоритму чтения диапазона оппонента и выбору оптимальной линии розыгрыша в позиции и без. Видео 5 (продолжительность 28 минут). Что делать есть вы столкнулись с 3-бетом?! В этом эпизоде автор объясняет, какой диапазон мы должны защищать и как в целом реагировать на 3-беты от разных типов игроков, заряжающих 3-беты из разных позиций. Также будет рассмотрена концепция колла 3-бета. Когда и против кого стоит ставить ловушки на префлопе, имея сильную руку. Отдельное внимание уделено потенциальным шансам при игре в позиции и потенциальным шансам в игре против хорошо защищенного диапазона. Большое количество раздач в этом видео демонстрируют игру как в хэдс-ап ситуациях, так и в мультипотах. Видео 6 (продолжительность 23 минуты). В этом видео мы поговорим о 4-бетах. Мы подробно разберем, как играть против 3-бета после того как вы открылись из UTG, а также когда и против каких типов оппонентов нужно ставить 4-бет, а когда просто сдаваться. Verneer уделяет особое внимание анализу графиков в HM2, поиску ошибок и определению оптимальной линии розыгрыша. Видео 7 (продолжительность 27 минут). В заключительном видео этого курса Verneer рассказывает о том, с каким диапазоном рейзить из средней позиции. Разбирается чарт открытия и подстройки, которые нужно сделать в зависимости от типов игроков за столом. Также мы поговорим о вещах, на которых нам следует фокусироваться для извлечения максимального вэлью. Отдельное внимание уделено анализу графиков при игре с мелкими и средними карманными парами. И, конечно, нас с вами ожидает огромное количество примеров раздач. Skype: devilpoker1 Email: info@any-two.ru
Просмотров: 975 Издательство Any-Two
Bencb & BitB Coach Diego Ventura Review $37,000 Sunday 500 WIN
 
01:06:49
Bencb is at it again, this time with Bitb Coach, RYE member and high stakes beast Diego Ventura! Sit back and watch these two no limit hold em poker MTT masters break down Diego's recent win in the Pokerstars Sunday 500! Like this video? Subscribe now so you never miss out on the best FREE value in poker! FACEBOOK: www.facebook.com/raiseyouredge WEBSITE: www.raiseyouredge.com/ YOUTUBE: YouTube.com/raiseyouredge INSTAGRAM : www.instagram.com/raiseyouredge DISCORD: https://discordapp.com/invite/C7NzrdP Join our discord community and get valuable insights directly from Bencb and RYE coaches. CHECK OUT HOW Bencb AND MANY OTHERS ARE CRUSHING IT! $215 TRIPLE THREAT: https://www.youtube.com/edit?o=U&video_id=A387XuF8icU Bencb789 TAKES DOWN $22.000 IN THE BIGGER $215: https://www.youtube.com/watch?v=FopHO1XZ7ZA MID-GAME MINDSET: https://www.youtube.com/watch?v=g1Jp2NKhm6g LOW-STAKES CASHGAME WITH Bencb789: https://www.youtube.com/watch?v=_T0HlaZ7FBU As many of you have noticed, we recently removed a number of our YouTube videos. A question of privacy was brought up to us regarding the sharing of statistics of other players. To be respectful of the concerns raised we have made the difficult decision to leave these videos off of YouTube. We will continue to provide new content that will still be the best free content on YouTube for poker learning. Thanks for your patience and understanding. Raise Your Edge is the premium online tournament poker training system for MTT’s. Our Tournament Masterclass is used by many crushers of online poker including Steffen Sontheimer (Go0se), Jeff Gross, Lex Veldhuis, Jaime Staples, Keven Martin and many more! Developed by the biggest winner in online poker for the last 3 years, bencb789, RYE is built to help win at the biggest stages; including WSOP, EPT, PCA, WPT and of course throughout all major online poker sites like Pokerstars, partypoker , 888 poker and more!
Просмотров: 17219 Raise Your Edge
Павел «Verneer» Назаревич. Построение банкролла 2014 (Фрагмент 3)
 
04:54
Вы можете купить этот курс на сайте издательства: http://www.any-two.ru Подписывайтесь на офиц. канал Any-two: https://goo.gl/NrSxTp Описание курса В этом курсе мы не будем рассматривать какие-то конкретные концепции, мы пойдем от обратного – в частности, мы будем говорить о группах рук (или их категориях) и придумывать линии, позволяющие максимально эффективно разыгрывать их. Группы рук, которые нас будут интересовать в данном курсе, относительно сильны, и почти все они присутствуют в диапазонах UTG и MP: • мелкие пары 22-77, • средние пары 88-JJ (пары, с которыми у большинства людей возникает масса трудностей), • крупные пары QQ-AA, • сильный бродвей (AQ-AK) • весь остальной бродвей, • одномастные коннекторы, • одномастные тузы. По окончании этого курса вы получите исчерпывающую информацию о том, КАК и главное ПОЧЕМУ вам следует делать так, а не иначе. Вы научитесь находить выгодные ситуации для овербет-пушей на вэлью (ситуации, где оппонент скорее выбросит на ставку обычного размера, но заколлирует овербет-пуш), научитесь быстро анализировать борды, на которых стоит (или не стоит) ставить два (а то и три) барреля с дро рукой, выбирать такой сайзинг, который позволит собрать максимум денег в казалось бы безнадежных ситуациях, и многое другое. Видео 1 (продолжительность 24 минуты). В первом видео этого курса автор рассматривает игру на UTG и объясняет, как зарабатывать деньги, играя 6-max на микро и низких лимитах в сегодняшних играх. Подробно рассказывает концепцию АВС-покера, «что» открывать и «почему» мы должны открывать эти руки. В теоретической части видео Verneer фокусируется на важнейших аспектах, которые необходимо знать при входе в игру из позиции UTG, разъясняет правила построения диапазона открытия. Кроме того, подробно разбирает чарт открытия из UTG и какие необходимо делать подстройки в зависимости от типов оппонентов за вашим столом. Большое количество раздач демонстрируют логику принятия решений как на префлопе так и на постфлопе. В этом видео рассмотрены раздачи с высокими карманными парами QQ-AA. Видео 2 (продолжительность 31 минута). Во втором видео этого курса автор продолжает рассматривать игру на UTG с высокими карманными парами. Затем Verneer разбирает раздачи с мелкими (22-77) и средними (88-JJ) карманными парами. Подробный анализ большого числа раздач в этом видео позволяет глубже понять важнейшие концепции игры, и избегать ошибок в будущем. Играете ли вы в банке один на один или в мультипоте, вы будете знать какое из решений окажет наилучшее влияние на ваш винрейт. Видео 3 (продолжительность 30 минут). В этом видео мы разбираем игру с одномастным бродвеем и игру с одномастными коннекторами. Подробно говорится о том, как необходимо корректировать диапазон открытия в зависимости от типов оппонентов за столом. Особое внимание уделено концепции двойного баррелинга и бетсайзингу. Видео 4 (продолжительность 22 минуты). Этот эпизод рассказывает об игре с одномастными тузами A2s-A9s в рейзженных банках. Verneer подробно анализирует раздачи, сыгранные в банках один на один и мультипотах. Особое внимание уделено алгоритму чтения диапазона оппонента и выбору оптимальной линии розыгрыша в позиции и без. Видео 5 (продолжительность 28 минут). Что делать есть вы столкнулись с 3-бетом?! В этом эпизоде автор объясняет, какой диапазон мы должны защищать и как в целом реагировать на 3-беты от разных типов игроков, заряжающих 3-беты из разных позиций. Также будет рассмотрена концепция колла 3-бета. Когда и против кого стоит ставить ловушки на префлопе, имея сильную руку. Отдельное внимание уделено потенциальным шансам при игре в позиции и потенциальным шансам в игре против хорошо защищенного диапазона. Большое количество раздач в этом видео демонстрируют игру как в хэдс-ап ситуациях, так и в мультипотах. Видео 6 (продолжительность 23 минуты). В этом видео мы поговорим о 4-бетах. Мы подробно разберем, как играть против 3-бета после того как вы открылись из UTG, а также когда и против каких типов оппонентов нужно ставить 4-бет, а когда просто сдаваться. Verneer уделяет особое внимание анализу графиков в HM2, поиску ошибок и определению оптимальной линии розыгрыша. Видео 7 (продолжительность 27 минут). В заключительном видео этого курса Verneer рассказывает о том, с каким диапазоном рейзить из средней позиции. Разбирается чарт открытия и подстройки, которые нужно сделать в зависимости от типов игроков за столом. Также мы поговорим о вещах, на которых нам следует фокусироваться для извлечения максимального вэлью. Отдельное внимание уделено анализу графиков при игре с мелкими и средними карманными парами. И, конечно, нас с вами ожидает огромное количество примеров раздач. Skype: devilpoker1 Email: info@any-two.ru
Просмотров: 737 Издательство Any-Two
Cómo usar la Herradura de la Suerte ~ Los Rituales de Margui
 
08:17
En este vídeo te explico Cómo Usar La Herradura de la Suerte. Cómo Limpiar la Herradura de la Suerte. Cómo Cargar la Herradura de la Suerte. Cómo usar la Herradura de la Suerte, en tu casa y en tu negocio. ATRAE SUERTE Y PROTECCIÓN. AGUA Y SAL PARA ATRAER EL DINERO http://cort.as/wmDa RITUAL PARA ATRAER LA RIQUEZA http://cort.as/wmDd ATRAE EL DINERO DURANTE TODO EL MES http://cort.as/wmDf LA BOTELLA DE LA ABUNDANCIA http://cort.as/wmDg COMPARTE ESTE VÍDEO CON TUS AMIGOS Y NO OLVIDES SUSCRIBIRTE https://goo.gl/NVjVd0 RITUALES PARA ATRAER DINERO https://goo.gl/OOKwW1 ✪✪✪✪✪✪✪ En este enlace puedes ver las reglas de oro para hacer un ritual correctamente https://goo.gl/t0FFpP Todos los Rituales y Hechizos de este canal los puedes leer en https://goo.gl/PRc7h8 Ahí podrás ver como ponerte en contacto conmigo para consultas por teléfono o presencial de Tarot, Quiromancia, Rituales, Hechizos Cursos presenciales de Alta Magia Blanca, Interpretación de Velas y Tarot. ✪✪✪✪✪✪✪ SÍGUEME EN MIS REDES SOCIALES ✪✪✪✪✪✪✪ MI BLOG: https://goo.gl/PRc7h8 SÍGUEME EN FACEBOOK: https://goo.gl/fZovZj SÍGUEME EN TWITTER: https://goo.gl/283las SIGUEME EN: GOOGLE PLUS: http://goo.gl/xumF4G ✪✪✪✪✪✪✪ Este canal pertenece a: Margarita Centeno Sosa Teléfono: 34+ 954074582 Calle Fernado Zobel Nº1 (Edificio Progreso) Oficina 35 Sevilla 41020 (España) Mi agradecimiento a Julio Kraneal por componer la música de este vídeo http://cort.as/mL0_
Просмотров: 229399 Los Rituales de Margui
Suspense: Murder Aboard the Alphabet / Double Ugly / Argyle Album
 
01:28:05
The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, "Backseat Driver," which originally aired February 3, 1949. The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain. At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with "Death on My Hands": A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him. With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series despite shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's "The Man Who Went Back to Save Lincoln" or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas. http://en.wikipedia.org/wiki/Suspense_%28radio_drama%29
Просмотров: 127746 Remember This
ZEITGEIST: MOVING FORWARD | OFFICIAL RELEASE | 2011
 
02:41:25
Please support Peter Joseph's new, upcoming film project: "InterReflections" by joining the mailing list and helping: http://www.interreflectionsmovie.com LIKE Peter Joseph @ https://www.facebook.com/peterjosephofficial FOLLOW Peter Joseph @ https://twitter.com/ZeitgeistFilm * Sign up for TZM Mailing List: http://www.thezeitgeistmovement.com/ Sign up for the Film Series Mailing List: http://zeitgeistmovie.com/ This is the Official Online (Youtube) Release of "Zeitgeist: Moving Forward" by Peter Joseph. [30 subtitles ADDED!] On Jan. 15th, 2011, "Zeitgeist: Moving Forward" was released theatrically to sold out crowds in 60 countries; 31 languages; 295 cities and 341 Venues. It has been noted as the largest non-profit independent film release in history. This is a non-commercial work and is available online for free viewing and no restrictions apply to uploading/download/posting/linking - as long as no money is exchanged. A Free DVD Torrent of the full 2 hr and 42 min film in 30 languages is also made available through the main website [below], with instructions on how one can download and burn the movie to DVD themselves. His other films are also freely available in this format. Website: http://www.zeitgeistmovingforward.com http://www.zeitgeistmovie.com SUPPORT PETER JOSEPH (DONATIONS): http://zeitgeistmovie.com/torrents.html Release Map: http://zeitgeistmovingforward.com/zmap DVD: http://zeitgeistmovie.com/order.html Movement: http://www.thezeitgeistmovement.com Subtitles provided by Linguistic Team International: http://forum.linguisticteam.org/
Просмотров: 24746273 TZMOfficialChannel
DVD 1 of 4: Loving the Silent Tears: The Musical
 
01:25:09
Multi-language subtitles can be accessed via the Youtube settings button (cogwheel icon ☼) on the bottom right corner of the video box. This is the full video of the official DVD release, available in Full HD (high definition) quality. *** DVD 1 (length 1hr 25m) *** - The Red Carpet - Aerialists Opening - Speeches - Video Greetings - Loving the Silent Tears: The Musical - ACT1
Просмотров: 22996 Supreme Master Television
Ron Paul on Understanding Power: the Federal Reserve, Finance, Money, and the Economy
 
44:16
1988 - More Ron Paul: https://www.amazon.com/gp/search?ie=UTF8&tag=tra0c7-20&linkCode=ur2&linkId=43a21cfc590f721c68d1af8cd8048e38&camp=1789&creative=9325&index=books&keywords=ron%20paul Paul believes the size of the federal government must be decreased substantially. In order to restrict the federal government to what he believes are its Constitutionally authorized functions, he regularly votes against almost all proposals for new government spending, initiatives, or taxes, in many cases making him in a minority of members of the house by doing so. For example, on January 22, 2007, Paul was the lone member out of 415 voting to oppose a House measure to create a National Archives exhibit on slavery and Reconstruction, seeing this as an unauthorized use of taxpayer money. Paul advocates substantially reducing the government's role in individual lives and in the functions of foreign and domestic states; he says Republicans have lost their commitment to limited government and have become the party of big government. His 2012 "Plan to Restore America" would eliminate five Cabinet-level departments: Energy, HUD, Commerce, Interior, and Education. He has called for elimination of other federal agencies such as the U.S. Department of Health and Human Services, and the Internal Revenue Service, calling them "unnecessary bureaucracies". Paul would severely reduce the role of the Central Intelligence Agency; reducing its functions to intelligence-gathering. He would eliminate operations like overthrowing foreign governments and assassinations. He says this activity is kept secret even from Congress and "leads to trouble". He also commented, "We have every right in the world to know something about intelligence gathering, but we have to have intelligent people interpreting this information." Paul calls for the elimination of the Federal Emergency Management Agency (FEMA), which is tasked with coordinating preparedness and relief for natural disasters. He regards the argument for FEMA as "symptomatic of a blind belief in big government's ability to do anything and everything for anyone and everyone.... When people are starving, injured and dying they need speed and efficiency, yet FEMA comes along with forms and policies and rubber stamps." He complains that FEMA is a mismanaged and nearly-bankrupt bureaucracy, open to corruption. He also argues that the socialized insurance concept which underlies FEMA is deeply flawed, encouraging risk-taking -- such as building beachfront homes in hurricane-prone coastal areas -- that would be too expensive to consider if the sole source of disaster insurance were private-sector insurance purchased in the free market. In his view, disaster response management should be coordinated at the state and local level, without any federal involvement, and should be entirely voluntary and based on charitable goodwill. As Hurricane Irene bore down on the country's coast in August 2011, Paul said, "I live on the Gulf Coast. We put up with hurricanes all the time.... In 1900, before FEMA, the local people rebuilt the city, built a seawall, and they survived without FEMA...." In a speech on June 25, 2003, criticizing giving Prime Minister of the United Kingdom Tony Blair a Congressional Gold Medal of Honor, Paul said, "These medals generally have been proposed to recognize a life of service and leadership, and not for political reasons—as evidenced by the overwhelming bipartisan support for awarding President Reagan, a Republican, a gold medal. These awards normally go to deserving individuals, which is why I have many times offered to contribute $100 of my own money, to be matched by other members, to finance these medals." Texas Monthly awarded him the "Bum Steer" award for voting against a congressional honor for cartoonist Charles Schulz, but also noted, "When he was criticized for voting against the [Parks] medal, he chided his colleagues by challenging them to personally contribute $100 to mint the medal. No one did. At the time, Paul observed, 'It's easier to be generous with other people's money.'" In February 2009, he joined with Democratic congressman Harry Mitchell of Arizona to call for an end to automatic Congressional pay increases, through a proposed amendment to the economic stimulus package. http://en.wikipedia.org/wiki/Ron_paul%27s_political_views
Просмотров: 70553 The Film Archives
Savings and Loan Crisis: Explained, Summary, Timeline, Bailout, Finance, Cost, History
 
01:34:34
The following is a detailed summary of the major causes for losses that hurt the savings and loan business in the 1980s. More on the topic: https://www.amazon.com/gp/search?ie=UTF8&tag=tra0c7-20&linkCode=ur2&linkId=51c55ec15248eed374fb539b2332be3d&camp=1789&creative=9325&index=books&keywords=savings%20loan%20crisis Lack of net worth for many institutions as they entered the 1980s, and a wholly inadequate net worth regulation. Decline in the effectiveness of Regulation Q in preserving the spread between the cost of money and the rate of return on assets, basically stemming from inflation and the accompanying increase in market interest rates. Absence of an ability to vary the return on assets with increases in the rate of interest required to be paid for deposits. Increased competition on the deposit gathering and mortgage origination sides of the business, with a sudden burst of new technology making possible a whole new way of conducting financial institutions generally and the mortgage business specifically. Savings and Loans gained a wide range of new investment powers with the passage of the Depository Institutions Deregulation and Monetary Control Act and the Garn--St. Germain Depository Institutions Act. A number of states also passed legislation that similarly increased investment options. These introduced new risks and speculative opportunities which were difficult to administer. In many instances management lacked the ability or experience to evaluate them, or to administer large volumes of nonresidential construction loans. Elimination of regulations initially designed to prevent lending excesses and minimize failures. Regulatory relaxation permitted lending, directly and through participations, in distant loan markets on the promise of high returns. Lenders, however, were not familiar with these distant markets. It also permitted associations to participate extensively in speculative construction activities with builders and developers who had little or no financial stake in the projects. Fraud and insider transaction abuses. A new type and generation of opportunistic savings and loan executives and owners—some of whom operated in a fraudulent manner — whose takeover of many institutions was facilitated by a change in FSLIC rules reducing the minimum number of stockholders of an insured association from 400 to one. Dereliction of duty on the part of the board of directors of some savings associations. This permitted management to make uncontrolled use of some new operating authority, while directors failed to control expenses and prohibit obvious conflict of interest situations. A virtual end of inflation in the American economy, together with overbuilding in multifamily, condominium type residences and in commercial real estate in many cities. In addition, real estate values collapsed in the energy states — Texas, Louisiana, and Oklahoma — particularly due to falling oil prices — and weakness occurred in the mining and agricultural sectors of the economy. Pressures felt by the management of many associations to restore net worth ratios. Anxious to improve earnings, they departed from their traditional lending practices into credits and markets involving higher risks, but with which they had little experience. The lack of appropriate, accurate, and effective evaluations of the savings and loan business by public accounting firms, security analysts, and the financial community. Organizational structure and supervisory laws, adequate for policing and controlling the business in the protected environment of the 1960s and 1970s, resulted in fatal delays and indecision in the examination/supervision process in the 1980s. Federal and state examination and supervisory staffs insufficient in number, experience, or ability to deal with the new world of savings and loan operations. The inability or unwillingness of the Bank Board and its legal and supervisory staff to deal with problem institutions in a timely manner. Many institutions, which ultimately closed with big losses, were known problem cases for a year or more. Often, it appeared, political considerations delayed necessary supervisory action. http://en.wikipedia.org/wiki/Savings_and_loan_scandal
Просмотров: 180703 The Film Archives
Dragnet: Big Kill / Big Thank You / Big Boys
 
01:29:53
Dragnet is a radio and television crime drama about the cases of a dedicated Los Angeles police detective, Sergeant Joe Friday, and his partners. The show takes its name from an actual police term, a "dragnet", meaning a system of coordinated measures for apprehending criminals or suspects. Dragnet debuted inauspiciously. The first several months were bumpy, as Webb and company worked out the program's format and eventually became comfortable with their characters (Friday was originally portrayed as more brash and forceful than his later usually relaxed demeanor). Gradually, Friday's deadpan, fast-talking persona emerged, described by John Dunning as "a cop's cop, tough but not hard, conservative but caring." (Dunning, 210) Friday's first partner was Sergeant Ben Romero, portrayed by Barton Yarborough, a longtime radio actor. After Yarborough's death in 1951 (and therefore Romero's, who also died of a heart attack, as acknowledged on the December 27, 1951 episode "The Big Sorrow"), Friday was partnered with Sergeant Ed Jacobs (December 27, 1951 - April 10, 1952, subsequently transferred to the Police Academy as an instructor), played by Barney Phillips; Officer Bill Lockwood (Ben Romero's nephew, April 17, 1952 - May 8, 1952), played by Martin Milner (with Ken Peters taking the role for the June 12, 1952 episode "The Big Donation"); and finally Frank Smith, played first by Herb Ellis (1952), then Ben Alexander (September 21, 1952-1959). Raymond Burr was on board to play the Chief of Detectives. When Dragnet hit its stride, it became one of radio's top-rated shows. Webb insisted on realism in every aspect of the show. The dialogue was clipped, understated and sparse, influenced by the hardboiled school of crime fiction. Scripts were fast moving but didn't seem rushed. Every aspect of police work was chronicled, step by step: From patrols and paperwork, to crime scene investigation, lab work and questioning witnesses or suspects. The detectives' personal lives were mentioned but rarely took center stage. (Friday was a bachelor who lived with his mother; Romero, a Mexican-American from Texas, was an ever fretful husband and father.) "Underplaying is still acting", Webb told Time. "We try to make it as real as a guy pouring a cup of coffee." (Dunning, 209) Los Angeles police chiefs C.B. Horrall, William A. Worton, and (later) William H. Parker were credited as consultants, and many police officers were fans. Most of the later episodes were entitled "The Big _____", where the key word denoted a person or thing in the plot. In numerous episodes, this would the principal suspect, victim, or physical target of the crime, but in others was often a seemingly inconsequential detail eventually revealed to be key evidence in solving the crime. For example, in "The Big Streetcar" the background noise of a passing streetcar helps to establish the location of a phone booth used by the suspect. Throughout the series' radio years, one can find interesting glimpses of pre-renewal Downtown L.A., still full of working class residents and the cheap bars, cafes, hotels and boarding houses which served them. At the climax of the early episode "James Vickers", the chase leads to the Subway Terminal Building, where the robber flees into one of the tunnels only to be killed by an oncoming train. Meanwhile, by contrast, in other episodes set in outlying areas, it is clear that the locations in question are far less built up than they are today. Today, the Imperial Highway, extending 40 miles east from El Segundo to Anaheim, is a heavily used boulevard lined almost entirely with low-rise commercial development. In an early Dragnet episode scenes along the Highway, at "the road to San Pedro", clearly indicate that it still retained much the character of a country highway at that time. http://en.wikipedia.org/wiki/Dragnet_(series)
Просмотров: 58561 Remember This
Dragnet: Big Cab / Big Slip / Big Try / Big Little Mother
 
01:51:41
Dragnet is a radio and television crime drama about the cases of a dedicated Los Angeles police detective, Sergeant Joe Friday, and his partners. The show takes its name from an actual police term, a "dragnet", meaning a system of coordinated measures for apprehending criminals or suspects. Scripts tackled a number of topics, ranging from the thrilling (murders, missing persons and armed robbery) to the mundane (check fraud and shoplifting), yet "Dragnet" made them all interesting due to fast-moving plots and behind-the-scenes realism. In "The Garbage Chute" (December 15, 1949), they even had a locked room mystery. Though rather tame by modern standards, Dragnet—especially on the radio—handled controversial subjects such as sex crimes and drug addiction with unprecedented and even startling realism. In one such example, Dragnet broke one of the unspoken (and still rarely broached) taboos of popular entertainment in the episode ".22 Rifle for Christmas" which aired December 22, 1949 and was repeated at Christmastime for the next three years. The episode followed the search for two young boys, Stanley Johnstone and Stevie Morheim, only to discover Stevie had been accidentally killed while playing with a rifle that belonged to Stanley—who'd be receiving it as a Christmas present but opened the box early; Stanley finally told Friday that Stevie was running while holding the rifle when he tripped and fell, causing the gun to discharge, fatally wounding Morheim. NBC received thousands of complaint letters, including a formal protest by the National Rifle Association. Webb forwarded many of the letters to police chief Parker who promised "ten more shows illustrating the folly of giving rifles to children". (Dunning, 211) Another episode dealt with high school girls who, rather than finding Hollywood stardom, fall in with fraudulent talent scouts and end up in pornography and prostitution. Both this episode and ".22 Rifle for Christmas" were adapted for television, with very few script changes, when Dragnet moved to that medium. Another episode, "The Big Trio" (July 3, 1952), detailed three cases in one episode, including reckless and dangerous (in this case, fatal) driving by unlicensed juveniles. With regard to drugs, Webb's strident anti-drug statements, continued into the TV run, would be derided as camp by later audiences; yet his character also showed genuine concern and sympathy for addicts as victims, especially in the case of juveniles. The tone was usually serious, but there were moments of comic relief: Romero was something of a hypochondriac and often seemed henpecked; Frank Smith continually complained about his brother-in-law Armand; though Friday dated, he usually dodged women who tried to set him up with marriage-minded dates. Due in part to Webb's fondness for radio drama, Dragnet persisted on radio until 1957 (the last two seasons were repeats) as one of the last old time radio shows to give way to television's increasing popularity. In fact, the TV show would prove to be effectively a visual version of the radio show, as the style was virtually the same [including the scripts, as the majority of them were adapted from radio]. The TV show could be listened to without watching it, with no loss of understanding of the storyline. http://en.wikipedia.org/wiki/Dragnet_%28series%29
Просмотров: 121502 Remember This
Calling All Cars: Disappearing Scar / Cinder Dick / The Man Who Lost His Face
 
01:28:00
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role. The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station. Due to Dragnet's popularity, LAPD Chief Parker "became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation". In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay. Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel. The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous "cold case", and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) "represent the choices ahead for the LAPD": assisting Hollywood limelight, aggressive policing with relaxed ethics, and a "straight arrow" approach. http://en.wikipedia.org/wiki/LAPD
Просмотров: 48925 Remember This
Adventure 03 - The Memoirs of Sherlock Holmes by Sir Arthur Conan Doyle
 
33:55
Adventure 03: The Stock-Broker's Clerk. Classic Literature VideoBook with synchronized text, interactive transcript, and closed captions in multiple languages. Audio courtesy of Librivox. Read by Eric Leach.​ Playlist for The Memoirs of Sherlock Holmes by Sir Arthur Conan Doyle: http://www.youtube.com/playlist?p=PLB5F4B2C43B04E7F4 The Memoirs of Sherlock Holmes free audiobook at Librivox: http://librivox.org/the-memoirs-of-sherlock-holmes-version-2-by-sir-arthur-conan-doyle/ The Memoirs of Sherlock Holmes free eBook at Project Gutenberg: http://www.gutenberg.org/ebooks/834 The Memoirs of Sherlock Holmes at Wikipedia: http://en.wikipedia.org/wiki/The_Memoirs_of_Sherlock_Holmes View a list of all our videobooks: http://www.ccprose.com/booklist
Просмотров: 85344 CCProse
The Great Gildersleeve: Leroy's Pet Pig / Leila's Party / New Neighbor Rumson Bullard
 
01:26:18
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity. On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. "You're a haa-aa-aa-aard man, McGee!" became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of "Gildersleeve's Diary" on the Fibber McGee and Molly series (Oct. 22, 1940). He soon became so popular that Kraft Foods—looking primarily to promote its Parkay margarine spread — sponsored a new series with Peary's Gildersleeve as the central, slightly softened and slightly befuddled focus of a lively new family. Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor. In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company ("If you want a better corset, of course, it's a Gildersleeve") and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity. Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog). The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons. http://en.wikipedia.org/wiki/Great_Gildersleeve
Просмотров: 123203 Remember This
Suspense: The Brighton Strangler / A Thing of Beauty / I Had an Alibi
 
01:31:07
The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, "Backseat Driver," which originally aired February 3, 1949. The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain. At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with "Death on My Hands": A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him. With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series despite shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's "The Man Who Went Back to Save Lincoln" or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas. http://en.wikipedia.org/wiki/Suspense_%28radio_drama%29
Просмотров: 17898 Remember This
Through the Looking-Glass by Lewis Carroll - Chapter 01 - Looking-Glass House
 
18:31
Chapter 1: Looking-Glass House. Classic Literature VideoBook with synchronized text, interactive transcript, and closed captions in multiple languages. Audio courtesy of Librivox. Read by Kara Shallenberg. Playlist for Through the Looking-Glass by Lewis Carroll: http://www.youtube.com/playlist?list=PL1ED12F27CA19887B Through the Looking-Glass free audiobook at Librivox: http://librivox.org/through-the-looking-glass-by-lewis-carroll-3/ Through the Looking-Glass free eBook at Project Gutenberg: http://www.gutenberg.org/ebooks/12 Through the Looking-Glass at Wikipedia: http://en.wikipedia.org/wiki/Through_the_looking_glass View a list of all our videobooks: http://www.ccprose.com/booklist
Просмотров: 20241 CCProse
The Strange Case of Dr Jekyll and Mr Hyde Audiobook by Robert Louis Stevenson
 
03:06:50
Classic Literature VideoBook with synchronized text, interactive transcript, and closed captions in multiple languages. Audio courtesy of Librivox. Read by David Barnes. The Strange Case of Dr. Jekyll and Mr. Hyde free audiobook at Librivox: http://librivox.org/the-strange-case-of-dr-jekyll-mr-hyde-by-robert-louis-stevenson/ The Strange Case of Dr. Jekyll and Mr. Hyde free eBook at Project Gutenberg: http://www.gutenberg.org/ebooks/43 The Strange Case of Dr. Jekyll and Mr. Hyde at Wikipedia: http://en.wikipedia.org/wiki/Jekyll_and_hyde View a list of all our videobooks: http://www.ccprose.com/booklist
Просмотров: 465972 CCProse
Alice's Adventures in Wonderland Audiobook by Lewis Carrol
 
02:44:09
Classic Literature VideoBook with synchronized text, interactive transcript, and closed captions in multiple languages. Audio courtesy of Librivox. Read Kara Shallenberg. Alice's Adventures in Wonderland free audiobook at Librivox: http://librivox.org/alices-adventures-in-wonderland-by-lewis-carroll-4/ Alice's Adventures in Wonderland free eBook at Project Gutenberg: http://www.gutenberg.org/ebooks/11 Alice's Adventures in Wonderland at Wikipedia: http://goo.gl/nTxcG View a list of all our videobooks: http://www.ccprose.com/booklist
Просмотров: 645033 CCProse
The Great Gildersleeve: Labor Trouble / New Secretary / An Evening with a Good Book
 
01:29:28
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity. On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. "You're a haa-aa-aa-aard man, McGee!" became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of "Gildersleeve's Diary" on the Fibber McGee and Molly series (Oct. 22, 1940). He soon became so popular that Kraft Foods—looking primarily to promote its Parkay margarine spread — sponsored a new series with Peary's Gildersleeve as the central, slightly softened and slightly befuddled focus of a lively new family. Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor. In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company ("If you want a better corset, of course, it's a Gildersleeve") and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity. Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog). The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons. http://en.wikipedia.org/wiki/Great_Gildersleeve
Просмотров: 63794 Remember This
Words at War: Combined Operations / They Call It Pacific / The Last Days of Sevastopol
 
01:29:13
The Siege of Sevastopol took place on the Eastern Front of the Second World War. The campaign was fought by the Axis powers of Germany, Romania and Italy against the Soviet Union for control of Sevastopol, a port in Crimea on the Black Sea. On 22 June 1941 the Axis invaded the Soviet Union under Operation Barbarossa. The Axis land forces reached Crimea in the autumn, 1941, and overran the area. The only objective not in Axis hands was Sevastopol. Several attempts were made to secure the city in October and November 1941. A major attack was planned for late November, but bad weather and heavy rains delayed the Axis attack until 17 December 1941. Under the command of Erich von Manstein, the Axis forces were unable to capture Sevastopol in the first stage of operations. The Soviets launched an amphibious landing on the Crimean peninsula at Kerch in December 1941, to relieve the siege and force the Axis to divert forces to defend their gains. The operation saved Sevastopol for the time being, but the landing was checked and repulsed in May 1942. At Sevastopol the Axis opted to conduct a siege until the summer, 1942, at which point they attacked the encircled Soviet forces by land, sea and air. On 2 June 1942, the Axis began their operation, codenamed Störfang (Sturgeon Catch). The Soviet Red Army and Black Sea Fleet held out for weeks under intense Axis bombardment. The German Air Force (Luftwaffe) played a vital part in the siege. The Luftwaffe made up for a shortage of Axis artillery, providing highly effective aerial bombardment in support of the ground forces. Finally, on the 4 July 1942, the remaining Soviet forces surrendered and the Axis seized the port. Both sides had suffered considerable losses during the siege. With the Soviet forces neutralised, the Axis refocused their attention on the major summer campaign of that year, Operation Blue and the advance to the Caucasus oil fields. http://en.wikipedia.org/wiki/Siege_of_Sevastopol_%281941%E2%80%931942%29
Просмотров: 182554 Remember This
You Bet Your Life: Secret Word - Air / Bread / Sugar / Table
 
01:52:02
Julius Henry "Groucho" Marx (October 2, 1890 -- August 19, 1977) was an American comedian and film and television star. He is known as a master of quick wit and widely considered one of the best comedians of the modern era. His rapid-fire, often impromptu delivery of innuendo-laden patter earned him many admirers and imitators. He made 13 feature films with his siblings the Marx Brothers, of whom he was the third-born. He also had a successful solo career, most notably as the host of the radio and television game show You Bet Your Life. His distinctive appearance, carried over from his days in vaudeville, included quirks such as an exaggerated stooped posture, glasses, cigar, and a thick greasepaint mustache and eyebrows. These exaggerated features resulted in the creation of one of the world's most ubiquitous and recognizable novelty disguises, known as "Groucho glasses", a one-piece mask consisting of horn-rimmed glasses, large plastic nose, bushy eyebrows and mustache. Groucho Marx was, and is, the most recognizable and well-known of the Marx Brothers. Groucho-like characters and references have appeared in popular culture both during and after his life, some aimed at audiences who may never have seen a Marx Brothers movie. Groucho's trademark eye glasses, nose, mustache, and cigar have become icons of comedy—glasses with fake noses and mustaches (referred to as "Groucho glasses", "nose-glasses," and other names) are sold by novelty and costume shops around the world. Nat Perrin, close friend of Groucho Marx and writer of several Marx Brothers films, inspired John Astin's portrayal of Gomez Addams on the 1960s TV series The Addams Family with similarly thick mustache, eyebrows, sardonic remarks, backward logic, and ever-present cigar (pulled from his breast pocket already lit). Alan Alda often vamped in the manner of Groucho on M*A*S*H. In one episode, "Yankee Doodle Doctor", Hawkeye and Trapper put on a Marx Brothers act at the 4077, with Hawkeye playing Groucho and Trapper playing Harpo. In three other episodes, a character appeared who was named Captain Calvin Spalding (played by Loudon Wainwright III). Groucho's character in Animal Crackers was Captain Geoffrey T. Spaulding. On many occasions, on the 1970s television sitcom All In The Family, Michael Stivic (Rob Reiner), would briefly imitate Groucho Marx and his mannerisms. Two albums by British rock band Queen, A Night at the Opera (1975) and A Day at the Races (1976), are named after Marx Brothers films. In March 1977, Groucho invited Queen to visit him in his Los Angeles home; there they performed "'39" a capella. A long-running ad campaign for Vlasic Pickles features an animated stork that imitates Groucho's mannerisms and voice. On the famous Hollywood Sign in California, one of the "O"s is dedicated to Groucho. Alice Cooper contributed over $27,000 to remodel the sign, in memory of his friend. In 1982, Gabe Kaplan portrayed Marx in the film Groucho, in a one-man stage production. He also imitated Marx occasionally on his previous TV sitcom Welcome Back, Kotter. Actor Frank Ferrante has performed as Groucho Marx on stage for more than two decades. He continues to tour under rights granted by the Marx family in a one-man show entitled An Evening With Groucho in theaters throughout the United States and Canada with piano accompanist Jim Furmston. In the late 1980s Ferrante starred as Groucho in the off-Broadway and London show Groucho: A Life in Revue penned by Groucho's son Arthur. Ferrante portrayed the comedian from age 15 to 85. The show was later filmed for PBS in 2001. Woody Allen's 1996 musical Everyone Says I Love You, in addition to being named for one of Groucho's signature songs, ends with a Groucho-themed New Year's Eve party in Paris, which some of the stars, including Allen and Goldie Hawn, attend in full Groucho costume. The highlight of the scene is an ensemble song-and-dance performance of "Hooray for Captain Spaulding"—done entirely in French. In the last of the Tintin comics, Tintin and the Picaros, a balloon shaped like the face of Groucho could be seen in the Annual Carnival. In the Italian horror comic Dylan Dog, the protagonist's sidekick is a Groucho impersonator whose character became his permanent personality. The BBC remade the radio sitcom Flywheel, Shyster and Flywheel, with contemporary actors playing the parts of the original cast. The series was repeated on digital radio station BBC7. Scottish playwright Louise Oliver wrote a play named Waiting For Groucho about Chico and Harpo waiting for Groucho to turn up for the filming of their last project together. This was performed by Glasgow theatre company Rhymes with Purple Productions at the Edinburgh Fringe and in Glasgow and Hamilton in 2007-08. Groucho was played by Scottish actor Frodo McDaniel. http://en.wikipedia.org/wiki/Groucho
Просмотров: 100862 Remember This
The Great Gildersleeve: Gildy's Campaign HQ / Eve's Mother Arrives / Dinner for Eve's Mother
 
01:29:22
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity. On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. "You're a haa-aa-aa-aard man, McGee!" became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of "Gildersleeve's Diary" on the Fibber McGee and Molly series (Oct. 22, 1940). He soon became so popular that Kraft Foods—looking primarily to promote its Parkay margarine spread — sponsored a new series with Peary's Gildersleeve as the central, slightly softened and slightly befuddled focus of a lively new family. Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor. In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company ("If you want a better corset, of course, it's a Gildersleeve") and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity. Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog). The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons. http://en.wikipedia.org/wiki/Great_Gildersleeve
Просмотров: 83549 Remember This
Suspense: Heart's Desire / A Guy Gets Lonely / Pearls Are a Nuisance
 
01:30:01
One of the series' earliest successes and its single most popular episode is Lucille Fletcher's "Sorry, Wrong Number," about a bedridden woman (Agnes Moorehead) who panics after overhearing a murder plot on a crossed telephone connection but is unable to persuade anyone to investigate. First broadcast on May 25, 1943, it was restaged seven times (last on February 14, 1960) — each time with Moorehead. The popularity of the episode led to a film adaptation, Sorry, Wrong Number (1948), starring Barbara Stanwyck. Nominated for an Academy Award for her performance, Stanwyck recreated the role on Lux Radio Theater. Loni Anderson had the lead in the TV movie Sorry, Wrong Number (1989). Another notable early episode was Fletcher's "The Hitch Hiker," in which a motorist (Orson Welles) is stalked on a cross-country trip by a nondescript man who keeps appearing on the side of the road. This episode originally aired on September 2, 1942, and was later adapted for television by Rod Serling as a 1960 episode of The Twilight Zone. After the network sustained the program during its first two years, the sponsor became Roma Wines (1944--1947), and then (after another brief period of sustained hour-long episodes, initially featuring Robert Montgomery as host and "producer" in early 1948), Autolite Spark Plugs (1948--1954); eventually Harlow Wilcox (of Fibber McGee and Molly) became the pitchman. William Spier, Norman MacDonnell and Anton M. Leader were among the producers and directors. The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, "Backseat Driver," which originally aired February 3, 1949. The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain. At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with "Death on My Hands": A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him. With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series despite shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's "The Man Who Went Back to Save Lincoln" or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas. http://en.wikipedia.org/wiki/Suspense_%28radio_drama%29
Просмотров: 67290 Remember This
The Great Gildersleeve: The Manganese Mine / Testimonial Dinner for Judge / The Sneezes
 
01:29:31
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity. On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. "You're a haa-aa-aa-aard man, McGee!" became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of "Gildersleeve's Diary" on the Fibber McGee and Molly series (Oct. 22, 1940). Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor. In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company ("If you want a better corset, of course, it's a Gildersleeve") and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity. Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog). The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons. http://en.wikipedia.org/wiki/Great_Gildersleeve
Просмотров: 49340 Remember This
The Great Gildersleeve: The Matchmaker / Leroy Runs Away / Auto Mechanics
 
01:29:24
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity. On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. "You're a haa-aa-aa-aard man, McGee!" became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of "Gildersleeve's Diary" on the Fibber McGee and Molly series (Oct. 22, 1940). Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor. In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company ("If you want a better corset, of course, it's a Gildersleeve") and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity. Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog). The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons. http://en.wikipedia.org/wiki/Great_Gildersleeve
Просмотров: 42307 Remember This
The Great Gildersleeve: The Grand Opening / Leila Returns / Gildy the Opera Star
 
01:29:30
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor. In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company ("If you want a better corset, of course, it's a Gildersleeve") and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity. Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog). The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons. http://en.wikipedia.org/wiki/The_Great_Gildersleeve
Просмотров: 65046 Remember This
Chapter 05-07 - The Invisible Man by H. G. Wells
 
28:50
Chapters 5 - 7. Classic Literature VideoBook with synchronized text, interactive transcript, and closed captions in multiple languages. Audio courtesy of Librivox. Read by Alex Foster. Playlist for The Invisible Man by H.G. Wells: http://www.youtube.com/playlist?list=PL1E5F9DF5AE07C016 The Invisible Man free audiobook at Librivox: http://librivox.org/invisible-man-by-h-g-wells/ The Invisible Man free eBook at Project Gutenberg: http://www.gutenberg.org/ebooks/5230 The Invisible Man at Wikipedia: http://en.wikipedia.org/wiki/The_Invisible_Man View a list of all our videobooks: http://www.ccprose.com/booklist
Просмотров: 49686 CCProse
The Great Gildersleeve: Christmas Shopping / Gildy Accused of Loafing / Christmas Stray Puppy
 
01:27:26
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor. In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company ("If you want a better corset, of course, it's a Gildersleeve") and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity. Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog). The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons. http://en.wikipedia.org/wiki/The_Great_Gildersleeve
Просмотров: 63600 Remember This
Chapter 25 - Babbitt by Sinclair Lewis
 
16:23
Chapter 25. Classic Literature VideoBook with synchronized text, interactive transcript, and closed captions in multiple languages. Audio courtesy of Librivox. Read by Mike Vendetti. Playlist for Babbitt by Sinclair Lewis: http://www.youtube.com/playlist?list=PL752595FA3E1D6D74 Babbitt free audiobook at Librivox: http://librivox.org/babbitt-by-sinclair-lewis/ Babbitt free eBook at Project Gutenberg: http://www.gutenberg.org/ebooks/1156 Babbitt at Wikipedia: http://goo.gl/986Dr View a list of all our videobooks: http://www.ccprose.com/booklist
Просмотров: 11847 CCProse
Chapter 27-28 - The Invisible Man by H. G. Wells
 
35:36
Chapters 27 - 28. Classic Literature VideoBook with synchronized text, interactive transcript, and closed captions in multiple languages. Audio courtesy of Librivox. Read by Alex Foster. Playlist for The Invisible Man by H.G. Wells: http://www.youtube.com/playlist?list=PL1E5F9DF5AE07C016 The Invisible Man free audiobook at Librivox: http://librivox.org/invisible-man-by-h-g-wells/ The Invisible Man free eBook at Project Gutenberg: http://www.gutenberg.org/ebooks/5230 The Invisible Man at Wikipedia: http://en.wikipedia.org/wiki/The_Invisible_Man View a list of all our videobooks: http://www.ccprose.com/booklist
Просмотров: 51652 CCProse
Chapter 09 - Ann Veronica by H. G. Wells - Discords
 
01:02:04
Chapter 9: Discords. Classic Literature VideoBook with synchronized text, interactive transcript, and closed captions in multiple languages. Audio courtesy of Librivox. Read by Joy Chan. Playlist for Ann Veronica by H. G. Wells: http://www.youtube.com/playlist?list=PL00D87524E629D1A7 Ann Veronica free audiobook at Librivox: http://librivox.org/ann-veronica-by-h-g-wells/ Ann Veronica free eBook at Project Gutenberg: http://www.gutenberg.org/ebooks/524 Ann Veronica at Wikipedia: http://en.wikipedia.org/wiki/Ann_Veronica View a list of all our videobooks: http://www.ccprose.com/booklist
Просмотров: 20862 CCProse
Calling All Cars: Hot Bonds / The Chinese Puzzle / Meet Baron
 
01:28:22
The Los Angeles Police Department (LAPD) is the police department of the city of Los Angeles, California. The LAPD has been copiously fictionalized in numerous movies, novels and television shows throughout its history. The department has also been associated with a number of controversies, mainly concerned with racial animosity, police brutality and police corruption. The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role. The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station. Due to Dragnet's popularity, LAPD Chief Parker "became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation". In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay. Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel. The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous "cold case", and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) "represent the choices ahead for the LAPD": assisting Hollywood limelight, aggressive policing with relaxed ethics, and a "straight arrow" approach. http://en.wikipedia.org/wiki/LAPD
Просмотров: 41364 Remember This
Words at War: Eighty-Three Days: The Survival Of Seaman Izzi / Paris Underground / Shortcut to Tokyo
 
01:32:10
The French Résistance has had a great influence on literature, particularly in France. A famous example is the poem "Strophes pour se souvenir", which was written by the communist academic Louis Aragon in 1955 to commemorate the heroism of the Manouchian Group, whose 23 members were shot by the Nazis. The Résistance is also portrayed in Jean Renoir's wartime This Land is Mine (1943), which was produced in the USA. In the immediate post-war years, French cinema produced a number of films that portrayed a France broadly present in the Résistance.[188][189] The 1946 La Bataille du rail depicted the courageous efforts of French railway workers to sabotage German reinforcement trains,[190] and in the same year Le Père tranquille told the story of a quiet insurance agent secretly involved in the bombing of a factory.[190] Collaborators were hatefully presented as a rare minority, as played by Pierre Brewer in Jéricho (1946) or Serge Reggiani in Les Portes de la nuit (1946), and movements such as the Milice were rarely evoked. In the 1950s, a less heroic interpretation of the Résistance to the occupation gradually began to emerge.[190] In Claude Autant-Lara's La Traversée de Paris (1956), the portrayal of the city's black market and general mediocrity revealed the reality of war-profiteering during the occupation.[191] In the same year, Robert Bresson presented A Man Escaped, in which an imprisoned Résistance activist works with a reformed collaborator inmate to escape.[192] A cautious reappearance of the image of Vichy emerged in Le Passage du Rhin (1960), in which a crowd successively acclaim both Pétain and de Gaulle.[193] After General de Gaulle's return to power in 1958, the portrayal of the Résistance returned to its earlier résistancialisme. In this manner, in Is Paris Burning? (1966), "the role of the resistant was revalued according to [de Gaulle's] political trajectory".[194] The comic form of films such as La Grande Vadrouille (1966) widened the image of Résistance heroes to average Frenchmen.[195] The most famous and critically acclaimed of all the résistancialisme movies is Army of Shadows (L'Armee des ombres), which was made by the French film-maker Jean-Pierre Melville in 1969. The film was inspired by Joseph Kessel's 1943 book, as well as Melville's own experiences, as he had fought in the Résistance and participated in Operation Dragoon. A 1995 television screening of L'Armee des ombres described it as "the best film made about the fighters of the shadows, those anti-heroes."[196] The shattering of France's résistancialisme following the events of May 1968 emerged particularly clearly in French cinema. The candid approach of the 1971 documentary The Sorrow and the Pity pointed the finger on anti-Semitism in France and disputed the official Résistance ideals.[197][198] Time magazine's positive review of the film wrote that director Marcel Ophüls "tries to puncture the bourgeois myth—or protectively askew memory—that allows France generally to act as if hardly any Frenchmen collaborated with the Germans."[199] Franck Cassenti, with L'Affiche Rouge (1976); Gilson, with La Brigade (1975); and Mosco with the documentary Des terroristes à la retraite addressed foreign resisters of the EGO, who were then relatively unknown. In 1974, Louis Malle's Lacombe, Lucien caused scandal and polemic because of his absence of moral judgment with regard to the behavior of a collaborator.[200] Malle later portrayed the resistance of Catholic priests who protected Jewish children in his 1987 film Au revoir, les enfants. François Truffaut's 1980 film Le Dernier Métro was set during the German occupation of Paris and won ten Césars for its story of a theatre production taking place while its Jewish director is concealed by his wife in the theatre's basement.[201] The 1980s began to portray the resistance of working women, as in Blanche et Marie (1984).[202] Later, Jacques Audiard's Un héros très discret (1996) told the story of a young man's traveling to Paris and manufacturing a Résistance past for himself, suggesting that many heroes of the Résistance were imposters.[203][204] In 1997, Claude Berri produced the biopic Lucie Aubrac based on the life of the Résistance heroine of the same name, which was criticized for its Gaullist portrayal of the Résistance and over-emphasis on the relationship between Aubrac and her husband.[205] In the 2011 video game Call of Duty: Modern Warfare 3, in which a hypothetical World War III is depicted, a French resistance movement is formed to act against Russian occupation. The playable characters of many factions in-game receive assistance from this Resistance . This is in line with previous, World War II-based Call of Duty games, which often featured involvement with the Resistance of that era. http://en.wikipedia.org/wiki/French_Resistance
Просмотров: 166973 Remember This
Part 2 - Tess of the d'Urbervilles Audiobook by Thomas Hardy (Chs 08-14)
 
02:08:00
Part 2. Classic Literature VideoBook with synchronized text, interactive transcript, and closed captions in multiple languages. Audio courtesy of Librivox. Read by Adrian Praetzellis. Playlist for Tess of the d'Urbervilles by Thomas Hardy: http://www.youtube.com/playlist?list=PL9DDA690DB4BA38E0 Tess of the d'Urbervilles free audiobook at Librivox: http://librivox.org/tess-of-the-durbervilles/ Tess of the d'Urbervilles free eBook at Project Gutenberg: http://www.gutenberg.org/ebooks/110 Tess of the d'Urbervilles at Wikipedia: http://en.wikipedia.org/wiki/Tess_of_the_d%27Urbervilles View a list of all our videobooks: http://www.ccprose.com/booklist
Просмотров: 212005 CCProse
Part 3 - The Return of Sherlock Holmes Audiobook by Sir Arthur Conan Doyle (Adventures 06-08)
 
02:15:35
Part 3. Classic Literature VideoBook with synchronized text, interactive transcript, and closed captions in multiple languages. Audio courtesy of Librivox. Playlist for The Return of Sherlock Holmes by Sir Arthur Conan Doyle: http://www.youtube.com/playlist?list=PLC041F6DF7EB5D496 The Return of Sherlock Holmes free audiobook at Librivox: http://librivox.org/the-return-of-sherlock-holmes-by-sir-arthur-conan-doyle/ The Return of Sherlock Holmes free eBook at Project Gutenberg: http://www.gutenberg.org/ebooks/108 The Return of Sherlock Holmes at Wikipedia: http://en.wikipedia.org/wiki/The_Return_of_Sherlock_Holmes View a list of all our videobooks: http://www.ccprose.com/booklist
Просмотров: 230797 CCProse
Adventure 08 - The Adventures of Sherlock Holmes by Sir Arthur Conan Doyle
 
01:02:25
Adventure 8. The Adventure of the Speckled Band. Classic Literature VideoBook with synchronized text, interactive transcript, and closed captions in multiple languages. Audio courtesy of Librivox. Read by Mark F. Smith. Playlist for The Adventures of Sherlock Holmes by Sir Arthur Conan Doyle: http://www.youtube.com/playlist?p=PLE10E9316B6B53D2A The Adventures of Sherlock Holmes free audiobook at Librivox: http://librivox.org/the-adventures-of-sherlock-holmes-by-sir-arthur-conan-doyle-2/ The Adventures of Sherlock Holmes free eBook at Project Gutenberg: http://www.gutenberg.org/ebooks/1661 The Adventures of Sherlock Holmes at Wikipedia: http://en.wikipedia.org/wiki/The_Adventures_of_Sherlock_Holmes View a list of all our videobooks: http://www.ccprose.com/booklist
Просмотров: 146411 CCProse
Part 3 - Ann Veronica Audiobook by H. G. Wells (Chs 08 -10)
 
02:22:54
Part 3 (Chs 08 -10). Classic Literature VideoBook with synchronized text, interactive transcript, and closed captions in multiple languages. Audio courtesy of Librivox. Read by Joy Chan. Playlist for Ann Veronica by H. G. Wells: http://www.youtube.com/playlist?list=PLF44DD58609587A47 Ann Veronica free audiobook at Librivox: http://librivox.org/ann-veronica-by-h-g-wells/ Ann Veronica free eBook at Project Gutenberg: http://www.gutenberg.org/ebooks/524 Ann Veronica at Wikipedia: http://en.wikipedia.org/wiki/Ann_Veronica View a list of all our videobooks: http://www.ccprose.com/booklist
Просмотров: 136488 CCProse
Calling All Cars: I Asked For It / The Unbroken Spirit / The 13th Grave
 
01:28:24
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role. The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station. Due to Dragnet's popularity, LAPD Chief Parker "became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation". In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay. Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel. The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous "cold case", and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) "represent the choices ahead for the LAPD": assisting Hollywood limelight, aggressive policing with relaxed ethics, and a "straight arrow" approach. http://en.wikipedia.org/wiki/LAPD
Просмотров: 81563 Remember This
Part 1 - The Invisible Man Audiobook by H. G. Wells (Chs 01-17)
 
02:34:00
Part 1. Classic Literature VideoBook with synchronized text, interactive transcript, and closed captions in multiple languages. Audio courtesy of Librivox. Read by Alex Foster. Playlist for The Invisible Man by H.G. Wells: http://www.youtube.com/playlist?list=PL10B89CB3B6D86CA2 The Invisible Man free audiobook at Librivox: http://librivox.org/invisible-man-by-h-g-wells/ The Invisible Man free eBook at Project Gutenberg: http://www.gutenberg.org/ebooks/5230 The Invisible Man at Wikipedia: http://en.wikipedia.org/wiki/The_Invisible_Man View a list of all our videobooks: http://www.ccprose.com/booklist
Просмотров: 739223 CCProse
Through the Looking-Glass Audiobook by Lewis Carroll
 
03:04:43
Classic Literature VideoBook with synchronized text, interactive transcript, and closed captions in multiple languages. Audio courtesy of Librivox. Read by Kara Shallenberg. Through the Looking-Glass free audiobook at Librivox: http://librivox.org/through-the-looking-glass-by-lewis-carroll-3/ Through the Looking-Glass free eBook at Project Gutenberg: http://www.gutenberg.org/ebooks/12 Through the Looking-Glass at Wikipedia: http://en.wikipedia.org/wiki/Through_the_looking_glass View a list of all our videobooks: http://www.ccprose.com/booklist
Просмотров: 230152 CCProse
Adventure 12 - The Return of Sherlock Holmes by Sir Arthur Conan Doyle
 
52:39
12: The Adventure of The Abbey Grange. Classic Literature VideoBook with synchronized text, interactive transcript, and closed captions in multiple languages. Audio courtesy of Librivox. Read by Ken and Lisa Theriot. Playlist for The Return of Sherlock Holmes by Sir Arthur Conan Doyle:http://www.youtube.com/playlist?p=PLA64CC3A501AAE106 The Return of Sherlock Holmes free audiobook at Librivox: http://librivox.org/the-return-of-sherlock-holmes-by-sir-arthur-conan-doyle/ The Return of Sherlock Holmes free eBook at Project Gutenberg: http://www.gutenberg.org/ebooks/108 The Return of Sherlock Holmes at Wikipedia: http://en.wikipedia.org/wiki/The_Return_of_Sherlock_Holmes View a list of all our videobooks: http://www.ccprose.com/booklist
Просмотров: 108748 CCProse
Calling All Cars: Gold in Them Hills / Woman with the Stone Heart / Reefers by the Acre
 
01:27:51
The Los Angeles Police Department (LAPD) is the police department of the city of Los Angeles, California. The LAPD has been copiously fictionalized in numerous movies, novels and television shows throughout its history. The department has also been associated with a number of controversies, mainly concerned with racial animosity, police brutality and police corruption. The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role. The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station. Due to Dragnet's popularity, LAPD Chief Parker "became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation". In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay. Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel. The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous "cold case", and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) "represent the choices ahead for the LAPD": assisting Hollywood limelight, aggressive policing with relaxed ethics, and a "straight arrow" approach. http://en.wikipedia.org/wiki/LAPD
Просмотров: 35713 Remember This
Part 6 - Babbitt Audiobook by Sinclair Lewis (Chs 29-34)
 
02:19:47
Part 6. Classic Literature VideoBook with synchronized text, interactive transcript, and closed captions in multiple languages. Audio courtesy of Librivox. Read by Mike Vendetti. Playlist for Babbitt by Sinclair Lewis: http://www.youtube.com/playlist?list=PL7754E57A9802517D Babbitt free audiobook at Librivox: http://librivox.org/babbitt-by-sinclair-lewis/ Babbitt free eBook at Project Gutenberg: http://www.gutenberg.org/ebooks/1156 Babbitt at Wikipedia: http://goo.gl/986Dr View a list of all our videobooks: http://www.ccprose.com/booklist
Просмотров: 280896 CCProse
Ken O'keefeThe People's voice Middle East show 2 with subtitles
 
01:51:30
Please support the TPV to keep making these programs at http://www.thepeoplesvoice.tv/ Ken O'keefe Middle East show, on this program Ken talks about taxes and the evils that they finance, and takes us around showing us the true life in the immoral ghetto that is Gaza These captions are generated by Google Translate. We understand that due to unique requirements of each grammatical language, errors occurred. We think that until we have the capacity to fine tune subtitles, it is still worth a try. It's up to you to decide ...
Просмотров: 7351 Raw TPV
Part 1 - Babbitt Audiobook by Sinclair Lewis (Chs 01-05)
 
02:16:53
Part 1. Classic Literature VideoBook with synchronized text, interactive transcript, and closed captions in multiple languages. Audio courtesy of Librivox. Read by Mike Vendetti. Playlist for Babbitt by Sinclair Lewis: http://www.youtube.com/playlist?list=PL7754E57A9802517D Babbitt free audiobook at Librivox: http://librivox.org/babbitt-by-sinclair-lewis/ Babbitt free eBook at Project Gutenberg: http://www.gutenberg.org/ebooks/1156 Babbitt at Wikipedia: http://goo.gl/986Dr View a list of all our videobooks: http://www.ccprose.com/booklist
Просмотров: 630889 CCProse
Part 5 - The Return of Sherlock Holmes Audiobook by Sir Arthur Conan Doyle (Adventures 12-13)
 
01:57:45
Part 5. Classic Literature VideoBook with synchronized text, interactive transcript, and closed captions in multiple languages. Audio courtesy of Librivox. Playlist for The Return of Sherlock Holmes by Sir Arthur Conan Doyle: http://www.youtube.com/playlist?list=PLC041F6DF7EB5D496 The Return of Sherlock Holmes free audiobook at Librivox: http://librivox.org/the-return-of-sherlock-holmes-by-sir-arthur-conan-doyle/ The Return of Sherlock Holmes free eBook at Project Gutenberg: http://www.gutenberg.org/ebooks/108 The Return of Sherlock Holmes at Wikipedia: http://en.wikipedia.org/wiki/The_Return_of_Sherlock_Holmes View a list of all our videobooks: http://www.ccprose.com/booklist
Просмотров: 195668 CCProse
Chapter 32 - Babbitt by Sinclair Lewis
 
21:44
Chapter 32. Classic Literature VideoBook with synchronized text, interactive transcript, and closed captions in multiple languages. Audio courtesy of Librivox. Read by Mike Vendetti. Playlist for Babbitt by Sinclair Lewis: http://www.youtube.com/playlist?list=PL752595FA3E1D6D74 Babbitt free audiobook at Librivox: http://librivox.org/babbitt-by-sinclair-lewis/ Babbitt free eBook at Project Gutenberg: http://www.gutenberg.org/ebooks/1156 Babbitt at Wikipedia: http://goo.gl/986Dr View a list of all our videobooks: http://www.ccprose.com/booklist
Просмотров: 9052 CCProse
Part 01 - Our Mutual Friend Audiobook by Charles Dickens (Book 1, Chs 1-5)
 
02:36:47
Part 01 (Book 1, Chs 1-5). Classic Literature VideoBook with synchronized text, interactive transcript, and closed captions in multiple languages. Audio courtesy of Librivox. Read by Mil Nicholson. Playlist for Our Mutual Friend by Charles Dickens: http://www.youtube.com/playlist?list=PL1C8D3753D23BF888 Our Mutual Friend free audiobook at Librivox: http://librivox.org/our-mutual-friend-version-3-by-charles-dickens/ Our Mutual Friend free eBook at Project Gutenberg: http://www.gutenberg.org/ebooks/9719 Our Mutual Friend at Wikipedia: http://en.wikipedia.org/wiki/Our_Mutual_Friend View a list of all our videobooks: http://www.ccprose.com/booklist
Просмотров: 271580 CCProse